The Tyranny of First Decisions

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The Tyranny of First Decisions

Heather, a fine-arts student from Oklahoma, asks:

How have you overcome roadblocks in your creative process to create works that meet your artistic goals?
Almost every artistic project has roadblocks. Some are from the outside and hard to control, such as a requirement from your publisher, a demand from your gallery, or if you're painting outside, bad weather. Some are internal, such as doubts or bad habits or other psychological barriers you have to get beyond. 

The hardest roadblocks to overcome are initial creative decisions that seemed good at the time, but which turn out to be flawed thinking. I call this problem the "tyranny of first decisions." That might be as simple as choosing a vertical 36" x 24" linen canvas for your portrait, or it might be as bad as the decision to make a live-action adaptation of Popeye. The final product will be the offspring of the very first choice that you make, and nothing later will fix it. Those problems are hard to address because they're hard to recognize. The problems that issue from the first decisions aren't evident until later in the process. Until you recognize the problems and face them, you can't correct them. 

Sometimes getting past a roadblock means starting over entirely. Sometimes it means fixing something mid-stream. Knowing what can be changed and how it can be changed isn't easy, even for an experienced artist. You have to be honest with yourself, or ask a friend to give you feedback at various stages. Most mistakes can be fixed if you catch them in time.


What is something (perhaps a habit, a learning experience, or an inspirational figure) that you feel has helped you on your road to be a successful professional artist?
At an early age, I ran across a book about Norman Rockwell, where he described his process in great detail. He showed his thumbnail sketches, posed models, comprehensive drawings, and color sketches leading to the final painting. I realized that every big task can be broken down into meaningful steps, solving one problem at a time. If you approach the making of a picture or the development of an illustrated book in that way, you're almost guaranteed of a successful result. As Rockwell did, I put up in my studio a little sign that says "100%" to remind myself to make a full effort on every step and to trust the process.


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