Title : Observing How Sargent Painted
link : Observing How Sargent Painted
Observing How Sargent Painted
When Margaret Chanler was in London in 1893 with her sister Elizabeth, Margaret persuaded John Singer Sargent to paint her sister's portrait.
Portrait of Elizabeth by John Singer Sargent, 1893
This firsthand account confirms two observations about Sargent's working method:
1. He kept his models engaged and talking, not holding dead-still as is the custom now.
2. He used a form of the sight-size method, frequently backing up from the painting with the brush held aloft, presumably for evaluating slopes or measuring segments.
From Margaret Chanler Aldrich's memoir Family Vista, Available on Archive.org
Previously: Talking Models, Speaking Likeness, Setting Up a Sight-Size Portrait
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