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Title : Tissot's Creative Use of Photogaphy
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Tissot's Creative Use of Photogaphy

A new book on James Tissot discusses his painting techniques and explains how he used photo reference.

According to author Sarah Kleiner, "he had a dedicated photography studio at the Château de Buillon, and evidence reveals that he used the medium to capture poses or other compositional elements. 

In Waiting for the Ferry, 1878, (above), for example, he arranged the tones so that the woman in the light coat stands out against the background, while the man and the boy are dark on dark and daringly cropped off the right side, a compositional trick he shared with his good friend Edgar Degas. 

The reference photo shows Kathleen Newton and her son. The girl's hands are on a sawhorse and they all appear to be holding still for a long exposure.

More in the magnificent new hardcover monograph about James Tissot (1836-1902).

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