Title : Mary Nimmo Moran's Etchings
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Mary Nimmo Moran's Etchings
Mary Nimmo Moran (1842-1899) traveled all over Europe on sketching trips with her husband Thomas Moran.
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| "Haunted House," etching by Mary Nimmo Moran |
But she decided to stay home on one of his extended jaunts to the west. Before he left he coated some copper plates and told her the basics of etching.
"They were so original, so pronounced in their characteristics, so unlike anything he himself had done or had seen, that he scarcely knew whether to praise or condemn. Four of these first plates, however, were submitted to the New York Etching Club, and were promptly accepted for exhibition."
"They were warmly praised by the critics, and the unknown artist was elected a member of the club."
"For twenty years, from her first hazardous beginnings to her death in September, 1899, Mrs. Moran was loyal to her first ideals and true to her own strong individuality."
"Never for a moment did she allow fads or fashion to warp her judgment, or cause her to wander from the path on which she started when she undertook unaided to develop her art."
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Brush and Pencil Magazine, April, 1901, page 10
Mary Nimmo Moran on Wikipedia
She developed her skill at the art mostly without the influence of teachers, which gave her an original approach. Nearly every plate was drawn in the wild directly on the plate. "When Mr. Moran returned from the West, the result of his wife's initial efforts with the needle were a surprise to him."
"They were so original, so pronounced in their characteristics, so unlike anything he himself had done or had seen, that he scarcely knew whether to praise or condemn. Four of these first plates, however, were submitted to the New York Etching Club, and were promptly accepted for exhibition."
"They were warmly praised by the critics, and the unknown artist was elected a member of the club."
"For twenty years, from her first hazardous beginnings to her death in September, 1899, Mrs. Moran was loyal to her first ideals and true to her own strong individuality."
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| Painting by Mary Nimmo Moran |
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Brush and Pencil Magazine, April, 1901, page 10
Mary Nimmo Moran on Wikipedia
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