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Title : Harry Anderson Techniques
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Harry Anderson Techniques

Harry Anderson still life, casein, 1980s

Illustrator Harry Anderson  painted floral studies casein and tempera paint. Here's what he said about how he made a picture:

"When I put brush to paper, the final composition is reasonably clear in my mind. Picture boundaries are determined by boxing the hands or by using a cardboard viewer with a rectangular opening. Starting to paint, I like to lay in all color areas as quickly as possible, so that the arrangement becomes clear for a second study. In this stage, little attention is paid to detail—only the general shapes are indicated. Values and colors are made as true as feasibly consistent with hasty application.

"Frequently I use my fingers or, more accurately my thumbs in manipulating the color for different effects. I am always watchful for desirable 'accidental' passages which, when found effective, I am careful to retain."

"Another practice, which I am told is uncommon, is the use of two different colors on a single bristle brush in painting objects whose color might run from light to dark—as a cylinder. First I load the brush with the lighter hue and then with a section of the brush I pick up the darker paint so that, when the stroke is made, very interesting accidentals result. This works very well on small objects. To lighten or change a painted tract, I would hesitate to use solid opaque color, applying light on dark. I would prefer first scrub out the expanse and then repaint it."
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—The quote comes from in the book The Art of Harry Anderson and was originally published in American Artist, May 1956.

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