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Title : Lightening Colors with White
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Lightening Colors with White

Painting by Frank Brangwyn

When you're using opaque paint to create the illusion of lighted objects, you need to lighten colors on the planes that face toward the light. So you just add white to those colors, right?

Well, not so fast. Just adding white to a pure color tends to weaken the chroma and shift the hue toward blue or gray, with an dulling effect on reds and yellows in particular. If you use too much white in the lighted areas without adjusting the mid-tones and shadows, it can lead to a pale, chalky look.

Paul Strisik, in his book The Art of Landscape Painting, said: "Always think twice before using white. It can give your pictures a chalky look. If you want to lighten a color, sometimes try using another color instead of white. If you want your paintings to have brilliance, think in terms of more color, night lighter color."

Tom Lovell said, "color obtains in the light," meaning that we perceive chroma growing in force as it become more brightly illuminated within a scene. Therefore, we don't want to risk weakening it with white without adjusting all the color relationships.

In her book Daily Painting, Carol Marine describes the remedy this way: "If you can't quite get the color light enough without adding white, but white makes it chalky, maybe it doesn't need to be so light! Maybe the values around it simply need to be darker. If you're sure it needs white and it still looks chalky, try adding a little yellow and/or red."

Do you have personal experience with this issue? Did your teacher ever express a similar caution about white? Please share it in the comments.
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Books:
Paul Strisik:The Art of Landscape Painting
Carol Marine: Daily Painting: Paint Small and Often To Become a More Creative, Productive, and Successful Artist

Previous blog post: Color Obtains in the Light, with insights from a vision scientist

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