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Title : Zaryanko's Extreme Realism
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Zaryanko's Extreme Realism

Sergey Zaryanko 1818-1870, View of the Fieldmarshal's Hall in the Winter Palace,
Oil on canvas, 81 x 109 cm, c. 1836

Russian artist Sergey Zaryanko strove to paint exactly what was in front of him, with no compromises.

But by the middle of the 19th century, as photography became more familiar, critics objected to the extreme realism of his portraits and interior scenes, calling them “the frigid daguerreotyping of reality.”

Portrait of Prince Nikolai Yusupov, 1868

As a more painterly interpretation of realism came into favor, Zaryanko painted less, and focused more on teaching.

What do you think?
• Should a work of art assert itself as a painted surface as well as a window to nature?
• Can a painting be illusionistic without appearing photographic?
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Tretyakov Gallery Magazine
Sergey Zaryanko on Wikipedia

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