How should I paint the light in shadows? - Hallo friendsIDEAL BODY SECRETS, In the article you read this time with the title How should I paint the light in shadows?, We have prepared this article for you to read and retrieve information therein. Hopefully the contents of postings Article Fit Career, Article Fit Family, Article Fit Food, Article Fit Home, Article Fit Life, Article Fit Mind, Article FREE online workouts, Article Recipes, Article Workout Reviews, We write this you can understand. Alright, good read.

Title : How should I paint the light in shadows?
link : How should I paint the light in shadows?

How should I paint the light in shadows?

Blog reader Ewan Lamont says: "I need to tell myself to paint the shadows darker than they appear, because the tendency (for me at least) is to overstate the fill and reflected light. John Ruskin noted that the human eye is far more sensitive to light than photographic paper (I am not sure about digital arrays of sensors) and wanted artists to paint what they could see in shadows and which was invisible in the dark shadows of photographs where shaded details did not register. He also deplored the Claude glass for the same reason."

John Sell Cotman, Chirk Aqueduct, 1806-7

Thanks for those interesting thoughts. Ruskin is correct in saying that our eyes can see more light in shadows than cameras can see, especially any cameras that he would have known. Shadows were black in any photos he would have seen. He's right that usually we want to avoid black shadows and to capture or emphasize the variations of light that we see in the shadows.

But lighting and value organization were never Ruskin's strengths, so I take his opinions about light and shadow with a grain of salt here. I would hesitate to draw any single conclusion about how to treat the light in in the shadows in a picture. Sometimes you may want to paint shadows black, especially if you want drama, and sometimes you might want to flood the shadows with variation. It depends on the nature of the lighting and your goals in a given study or painting.

If my goal in a given picture is to capture a sense of light, I'll want to group the shadows and simplify the tones. I think John Sell Cotman does that beautifully in the painting above. The tones in the shadow are kept together, even though they're not too black. Using a (Claude) Lorrain mirror can help in seeing these tonal relationships. It shows the darks all merged together as a mass -- even though you don't have to paint them so black.

And look how Cotman unified the illuminated areas at the base of the aqueduct. It would have been very tempting to put a lot of dark accents and texture into those lights.

Let me leave you with these three suggestions:
1. Your reference won't give you the value organization. You have to invent it. It requires a leap of your imagination and a remarkable level of discipline.
2. Paint gives us a very limited scale of values to work with, so management of tone is essential.
3. To achieve a feeling of light, focus on grouping the shadows, simplifying them, and separating them from the lights. 

Thus Article How should I paint the light in shadows?

That's an article How should I paint the light in shadows? This time, hopefully can give benefits to all of you. well, see you in posting other articles.

You are now reading the article How should I paint the light in shadows? with the link address https://idealbodys.blogspot.com/2018/05/how-should-i-paint-light-in-shadows.html

Tweet

Subscribe to receive free email updates: