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Title : The Macchiaioli and the Lorrain Glass
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The Macchiaioli and the Lorrain Glass

In both France and in Italy in the late 19th century, painters were using the Lorrain Mirror (also called a Claude Glass) to simplify the values of the landscape and to help see the essentials.

Diego Martelli wrote in 1895:
"It was he [Saverio Altamura] who began to speak in a sibylline and involuted manner of the Ton gris, then in vogue in Paris. At first, everyone listened to him agape. Then they began to follow him along the path that he had indicated, assisting themselves with the black mirror, which decolors the multicolored aspect of nature, thereby permitting the artist to grasp more readily the totality of the chiaroscuro, the macchia."

Macchiaioli. Altamura is second from left in the back row

Quote from The Macchiaioli : Italian Painters of the Nineteenth Century

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