Should you paint landscapes from photos?

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Should you paint landscapes from photos?

Laurent Guétal (French, 1841-1892) used a combination of photographs and plein-air studies to push his landscapes to a higher level.

Laurent Guétal, Lake Eychauda​​, oil,
182 × 262 cm (71.7 × 103.1 in)1886, Grenoble Museum
According to the Grenoble Museum, Guétal discovered a photograph of Lake Eychauda, ​​located in the French Alps. He went to the scene, at over 8200 feet in elevation, where he painted a plein-air study from the same point of view as the photo. Using the two sources of reference, he completed the painting in three weeks.

Laurent Guétal, The First Snow, oil, 1885
Other images by Guétal seem to be based on photos. Depending on your taste, the photographic influence either adds conviction and truth to the image or it makes it seem more mechanical.  


The plein air studies have all the verve and invention of anyone facing changing light with a paintbrush.

Laurent Guétal, The Bérarde en Oisans, 1882
The water in the foreground of this painting seems to match up with landscape painting conventions of the day, but I'm guessing he used photography to help with the far mountains.

To answer the rhetorical question in this post's title, I would say that photography can be a helpful supplement to—but not a substitute for—direct painting from nature. As Ivan Shiskin said:

"... Let me give you one major piece of advice, that underlies all of my painting secrets and techniques, and that advice is — photography. It is a mediator between the artist and nature and one of the most strict mentors you'll ever have. And if you understand the intelligent way of using it, you'll learn much faster and improve your weak points. You'll learn how to paint clouds, water, trees — everything. You'll better understand atmospheric effects and linear perspective and so on..."
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Read the full post about Shishkin and Photography 
Other related posts: Zorn and Photography


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