Title : Jean Béraud's Windy Paris
link : Jean Béraud's Windy Paris
Jean Béraud's Windy Paris
Jean Béraud (1848-1935) loved to paint Paris on windy days.
Wind is invisible, but its effects are not. A woman's hat boxes swing to the side. Skirts and jackets flap to the side. People grab their hats so they don't blow over into the Seine.
A contemporary critic wrote, "Paris is Jean Beraud's passion, his mistress, his idol. He knows and loves it in every corner. He has studied it in its splendor, and its squalor, flitting from the salons of the Faubourg St. Germain to the dives of the Rue Mouffetard, and from the green-rooms of its theatres to its prisons, its churches, and its boulevards."
Unlike many academic realists, he wasn't interested in imaginative paintings: "Jean Beraud doesn't care 'a fig for saints, nymphs, fauns, and Virgins! He would give them all for that work-girl tripping across the road with a bandbox in her hand, or for one group in a Montmartre cabaret. No classicism for Jean Beraud. Give him the Boulevard and you may keep the Colosseum."
"'Nothing if not modern' is Jean Beraud's device. He is modern himself. His studio is modern. His pictures are modern."
----
Thus Article Jean Béraud's Windy Paris
That's an article Jean Béraud's Windy Paris This time, hopefully can give benefits to all of you. well, see you in posting other articles.
You are now reading the article Jean Béraud's Windy Paris with the link address https://idealbodys.blogspot.com/2017/06/jean-berauds-windy-paris.html
0 Response to "Jean Béraud's Windy Paris"
Post a Comment